Born in Moscow in 1991, received a classical education in Moscow State University of Lomonosov, had a stage in Roma Tre University (Italy).
Anna started making ceramics in 2018 while studying at the Higher School of Environmental Design at the Moscow Architectural Institute. She actively participates in exhibitions and art fairs, and in 2023 joined the sculpture section of the Moscow Artists Union. She is a resident of the studios in Babushkinskiy ex industrial sculptural complex and is a member of Association of Moscow Sculptors.
Anna collaborates with the Moscow Zoo as the administrator and member of the Animal Artists Club. The works are exhibited online on platforms bizar and TEO, in gallery Belova (Kazan), in showroom 4ceramics and in private collections.

2025 Laboratory "TSEKH 2.0" by and Rukavishnikov centre and MMOMA Free Workshops
from 2024 The Rodchenko Mosсow School of Photography and Multimedia
2017-2020 Higher School of Environmental Design, Moscow Architectural Institute
2014-2016 Institute of Performing Arts
2011 University Roma Tre, Italy, Rome
2008-2013 Moscow State University of Lomonosov

I am mainly interested is animalistics, primitive cultures and prehistoric times.

Animals occupy a special place in my work, because they belong to a more authentic and accepting world, where there is spontaneity and direct self-expression. The animal world is surprisingly diverse. I am interested in bizarre animals, ancient, extinct or rare. In their uniqueness, animals can manifest themselves naturally and sincerely. I felt being friends with animals since childhood. I am very touched by the stories where people save animals, give them their care and then return them to the wild.

In sculpture, I strive for a recognizable image of an animal, but also explores a generalized form which simplifies the image to the very characteristic features. I find inspiration in rock art and artifacts of primitive cultures. The world that existed sometime, for me is a connection with a deep part of my inner world, a preverbal primitive "warm" reality. I emphasize the rich relief of chamotte clay, which makes the works resemble ancient stones. Collapsing textures show the flow of time, as if the objects were found in excavations and belong to the distant past. The sculptures give the impression of something primordial, ancient and timeless, not man-made.